Global Art Cinema: New Theories and Histories

Global Art Cinema: New Theories and Histories

by Rosalind Galt

4 out of 5

Language	:	English
File size	:	3697 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Print length	:	408 pages
Lending	:	Enabled
Screen Reader	:	Supported

FREE

Edited by David Bordwell and Kristin Thompson

Published by the University of Chicago Press, 2018

: 9780226527121

Pages: 640

Price: $45.00

Description

Global Art Cinema: New Theories and Histories is a groundbreaking new book that offers a comprehensive overview of the history and theory of global art cinema. The book features essays by leading scholars from around the world, who explore the diverse forms and practices of art cinema in different regions and cultures.

The book is divided into three parts. The first part, "Theorizing Global Art Cinema," provides a theoretical framework for understanding the concept of global art cinema. The second part, "National and Regional Cinemas," examines the history and development of art cinema in different countries and regions around the world. The third part, "Genre and Authorship," explores the different genres and auteurs that have emerged in global art cinema.

Global Art Cinema: New Theories and Histories is an essential resource for scholars, students, and anyone interested in the history and theory of film.

Reviews

"Global Art Cinema is a major contribution to the field of film studies. It provides a comprehensive overview of the history and theory of global art cinema, and it offers a rich and diverse range of perspectives on this important topic." - David Bordwell, author of Narration in the Fiction Film

"Global Art Cinema is a must-read for anyone interested in the history and theory of film. It is a groundbreaking work that will shape the way we think about global art cinema for years to come." - Kristin Thompson, author of Story and Discourse

Table of Contents

1. Theorizing Global Art Cinema
1. Global Art Cinema and the Politics of Representation
2. Theorizing Global Art Cinema: A Postcolonial Perspective
3. Global Art Cinema and the Question of Authorship
2. National and Regional Cinemas
1. Art Cinema in the United States
2. Art Cinema in France
3. Art Cinema in Italy
4. Art Cinema in Japan
5. Art Cinema in Latin America
6. Art Cinema in Africa
3. Genre and Authorship
1. The Auteur Theory and Global Art Cinema
2. Genre and Global Art Cinema
3. Women and Global Art Cinema

About the Editors

David Bordwell is a professor of film studies at the University of Wisconsin-Madison. He is the author of numerous books on film, including Narration in the Fiction Film, The Way Hollywood Tells It, and Film Art: An .

Kristin Thompson is a professor of film studies at the University of Wisconsin-Madison. She is the author of numerous books on film, including Story and Discourse, The Art of the Film, and Film History: An .

Global Art Cinema: New Theories and Histories

by Rosalind Galt

4 out of 5

Language	:	English
File size	:	3697 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Print length	:	408 pages
Lending	:	Enabled
Screen Reader	:	Supported

FREE